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There’s something hypnotic about DUSH (Polvere), the latest release from Sicilian producer Dinkis and Argentine artist Cervan. It’s electronica at its most introspective—less about club-ready drops and more about evoking something deeply personal. The track feels suspended between time and space, where past memories blur with fleeting moments of the present. Built on subtle contrasts—melancholy and warmth, motion and stillness—it pulses forward, carrying fragments of whispered thoughts and unspoken longing. Dinkis’ Italian prose, etched into the artwork, hints at this duality: "I remember and I forget, all at once, all at the same time." It’s a track that breathes, shifting between soft echoes and pounding beats, drawing the listener into its immersive, dreamlike atmosphere.
Cervan’s contribution adds another layer of depth, his Spanish verse slipping in like a distant voice from another room. "Llaves nuevas, mi desorden, (ella) intransitiva, (ella) ostensible," he murmurs, the meaning cryptic but the mood unmistakable. As the track rises and falls, it carries an almost cinematic quality, like a lingering moment of reflection just before dawn. By the time it fades, it leaves behind a feeling of suspension—like holding onto a breath just a second too long. "An unmade bed, sheets on the floor, time that no longer makes a sound," the press notes say, and that’s exactly what DUSH (Polvere) feels like—a quiet, lingering echo, waiting to be heard again.
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